We’re back! But where have we been? Well you may know that in March to April the Kickstarter campaign ran to a modest degree of success, but unfortunately tailed off into not meeting the desired goal. The main contributors to the success of the Kickstarter was a bunch of very positive coverage due to exhibiting at EGX Rezzed (if you dropped by, it was a pleasure to get to meet you!) as well as a feature on Rock Paper Shotgun which was a lifetime ambition achieved – as well as all the buzz generated by you guys! Thank you so much!
In this post I’m going to explain how walls work in King under the Mountain. Not in the gameplay sense of them blocking movement (and light sources!) but in the technical sense of how the art assets are put together and handled.
First of all, no, this isn’t the monthly dev update to signify that development has kicked back into full swing *just* yet. Instead I’m trying to lay out some groundwork and guidelines to hopefully get some help with the project as well as a sort of technical primer for anyone interested.
It’s no secret that King under the Mountain‘s visuals are heavily inspired by Ryan Sumo’s work on Prison Architect by Introversion. Much like the floor tiles, the walls need to seamlessly tessellate with each other and may end up forming many different shapes, such as differently aligned corners and T-sections of walls.
When I cancelled the Kickstarter campaign, the plan was to re-launch it very soon with a much-reduced goal. This would help fund the freelance work being done on the game (mostly artwork, and some music) which is currently being paid out of my own savings. The original goal with the Kickstarter would allow me to focus 100% on the game, bringing it to release far quicker than development has been so far (as it is currently a “hobby project” in my spare time) as well as help fund this freelanced work.
Having spent a lot of time thinking about it – if I was to follow the plan of re-launching the Kickstarter with a reduced goal, I’d be continuing development in my spare time (which is fine by me!). However, this comes with somewhat poor timing as I’m moving house next week (which if you’ve gone through a home sale and purchase yourself, you’ll know takes up a lot of free time to organise and move things in and out of storage) and my wife is expecting our first baby in August when we’ll just about have become set up in the new home.
So after a great deal of thought, I’ve decided I wouldn’t be comfortable taking people’s money via Kickstarter now when I couldn’t commit to having enough time to devote to development or give a realistic estimate of an initial release window. The £45,000 goal with the original Kickstarter would allow me to switch my day job over to developing the game, with evenings and weekends free to sort out the move and family life. As I’ll now have to keep the day job (probably a wiser move in the gamedev world!) unfortunately it’s game development which is going to have to be put on hold for a while as I prepare for and then get settled in a new home with a new baby.
This does not mean King under the Mountain has been canned or cancelled though! Instead plans have just had to be set back with a delay of a few months before I can get back into the swing of development towards the end of the year. My apologies for not putting out this update sooner – it was a tough decision and I’ve also been hoping to hear from some indie-friendly publishers as a Plan B to bring in development funding rather than the Kickstarter campaign but it’s not looking likely right now. So as it is things may go quiet for the next few months but then I’ll be bouncing back and pressing on to releasing Alpha 1 as described in the Roadmap. I don’t know yet if the re-launched Kickstarter will happen (still the most likely option) or if instead I’ll just work towards a releasable Alpha 1 version and start a soft early-access style launch from there.
Finally I just want to say thank you for the really surprising amount of extremely positive coverage King under the Mountain has received during and around the Kickstarter campaign and I’m sure it’ll kick off again in the future! It was a fantastic experience being able to exhibit the pre-alpha version at EGX Rezzed and The PC Gamer Weekender, showing lots of genuine enthusiasm for the game which was awesome to see and a real motivator to keep pushing forward with it. Thank you for all your support so far and I plan to make this game into what people are hoping for from it!
Today I realised that we’ve already been posting these dev logs for over a year now! Going to have to start including the year in the title rather than just the month, or perhaps move onto something different (more on that later). First though, it’s with great pleasure that we can share the first trailer for King under the Mountain, produced by M Joshua:
For those of you who have only just started following us, it’s worth mentioning that this is an extremely early “pre-alpha” trailer to coincide with our launch on Kickstarter and Steam Greenlight. We’ve a big list of features still to come on the roadmap, and what’s shown now should only really be counted as a proof of concept prototype.
Speaking of Kickstarter – we launch on Monday March 27th at 18:00 BST (Click here to see what time that is for you)! Everything we’ve done for the past year has been building up towards this event and we’re incredibly excited its nearly here. A successful Kickstarter campaign will mean we can spend a lot more time developing the game and adding more content, rather than taking on contract work and side jobs to keep the lights on. It’ll also enable us to work with some extremely talented and creative people that can add a lot to the project, which we just don’t have the budget for currently. If you like what you see of King under the Mountain, please consider supporting us on Kickstarter (you can sign up for a one-off reminder email here) which really will let us kick-start (sorry) development way beyond what you’ve seen thus far. As a special preview, you can preview the upcoming campaign page at kickstarter.com/projects/rocketjumptechnology/921418061 and we’d love to gather any feedback from you guys!
February was probably the biggest month for King under the Mountain so far, building on the heaps of progress from January to produce the very first playable build! The dwarves can now craft furniture out of basic materials (stone blocks and wooden planks) and, more interestingly, then use that furniture to produce more of those useful crafting materials from harvested resources (rough stone and wooden logs). Here’s a short video of some basic crafting in action:
Hello world! We’re officially in the build up to Kickstarter and all the events that go with it – including two gaming expos! But first, here’s a brief look at the state of the game. This month has seen a lot of behind the scenes improvements and incremental updates as everything is prepared for kicking off work on the game’s first trailer, which will be produced by the talented M Joshua.
You may notice in this video that there’s a lot more variety in the different outfits worn by the dwarves. These have been produced by Derek Restivo based on Anthony Avon’s character concepts and we’re excited to be able to present the final (first) set of them soon. There’s also now a full set of tools for the dwarves to use (and produce themselves) as the basics of the crafting system are put into place. We’re hoping to be able to show you some workshops and actual crafting in the very near future!
We’re not just building a game with King under the Mountain, but a whole world with its own lore and history to act as a unique setting. This is the first of several worldbuilding articles which will help design and inspire both the artwork and mechanics of the game. This time, we’re going to talk about magic – what it is, how it works, and what it means to your characters.
There’s more to the world of King under the Mountain than meets the eye, quite literally. The game takes place in the physical, material world. Invisible to the naked eye, there also exists a spiritual, immaterial reflection of the world known as the Immaterial. These two planes of existence are tied together by a substance known as aether – intangible and external – which permeates the entire world much like air and the wind. Complementing aether, all living creatures and the planet itself contain what is known as mana – a well of spiritual, immaterial energy. Much like yin and yang, these differing yet complementing essences can be combined to produce magic – fantastic displays of power produced by harnessing the energy of aether and mana in tandem.
There’s so much to get through this month, I thought it would be best to start with one of the recent in-game progress videos:
Above you can see that the dwarves are now able to haul resources (stone boulders and wooden logs in this video) to stockpiles as required. I felt it was very important to visually show the items being carried around in this way, in an effort to recreate the look and feel of The Settlers which is a big inspiration to King under the Mountain. We’re really aiming at recreating that feeling of a peaceful, industrious ant-farm-like hustle and bustle of a small society.
Easily the biggest news this month is that we’ll be attending EGX Rezzed in London from March 30th. Rezzed is the indie-focused sister event of the Eurogamer Expo and its incredibly exciting to announce we’ll have a playable demo of King under the Mountain for attendees to play!
Having this playable demo ready is also the primary milestone towards launching our Kickstarter campaign so with this event booked in I can also confirm that we plan to launch on Kickstarter on March 27th! It’s worth noting that this demo will be the most minimal set of features that we’re comfortable showing off – meaning most gameplay systems and features will be missing. It’s intended to show that King under the Mountain is a real game that people can play already (compared to some Kickstarter campaigns that end up being vaporware) and to give an impression of what it can become with more development time and effort. We’ll have more details about the launch in the coming weeks, but for now if you’re interested in the game, the best thing you could do is to sign up to our one-shot mailing list to remind you when we launch on Kickstarter (if you haven’t already)!
In other news this month, I’m very happy to say I’ll be working with Derek Restivo as an in-game character and environment artist. We’re working together on all the assets needed for the playable prototype and I very much hope we can continue to work together following a successful Kickstarter 🙂 Here you can see some of Derek’s work on implementing the dwarven character concept clothing into in-game sprites.
In other development updates, I’m currently working on a more detailed method of designing and placing rooms such as workshops containing furniture. Here’s a short video with a behind the scenes look at our furniture asset tool, which helps test out the metadata attached to a piece of furniture such as which tiles it covers or otherwise uses.
I’m hoping to shortly have workshops properly implemented so that the dwarves are able to process stone and logs into blocks and planks for further crafting or other constructions.
Finally, be on the lookout for our first article on worldbuilding in King under the Mountain which will go into some detail on how magic works and affects the world. This is to be the first of several articles that digs into the background of the world and lore in the game, to give us a solid basis for designing further mechanics and systems that contribute to gameplay. For now, here’s a sneak preview of an illustration of the magic system, created by Jeff Ward.
That’s all for now! If you’re in the UK or already visiting London at the end of March we’d love for you to drop by our stand at EGX Rezzed and say hi! We might even have some freebies to give away!
Hey everyone, good news and bad news this month, though nothing *too* bad fortunately.
I’ll start with the good news – Anthony Avon (the concept artist for King under the Mountain) has finished the second major piece of concept art, this time depicting a dwarven settlement in one of the massive caverns that make up the underground sections of the world. Although this concept mostly focuses on dwarven structures and underground flora (like the giant mushrooms), you may notice a small party discovering the settlement on the left side of the image. This both introduces orcs as one of the other playable races and the concept of dispatching small teams of heroes or champions to go on an adventure to other player’s creations. These adventures can be thought of as classic RPG-style dungeon crawls through player-generated content that will make up one of the major gameplay goals of King under the Mountain, so watch out for more info on this in the future! Check out Anthony’s concept of an orc in this world for a sneak peek of what might be next 🙂
There’s more good news in that the extremely talented Jordan Chin has composed and produced his first track for King under the Mountain, hopefully with more to follow! You may recognise Jordan’s work from his contributions to the Materia Collective such as MATERIA: Final Fantasy VII Remixed which I’m a big fan of, and it’s a delight to have Jordan contributing his talents to the game! Start Anew is intended as a piece of background music to be played while the player is peacefully building up their settlement. Let us know what you think in the comments!
The bad news is that Dave Rigley, the animator and artist responsible for the in-game character sprites (and upcoming resources) has had to pull out of the project due to personal commitments. We’re in the process of looking for a replacement sprite artist and it looks like we’re close to finding the right replacement. Along with the fact that development has been a little slow in November, it means the existing prototype release timeline has had to slip a little. It’s unfortunate, but better to wait a little longer for the right vision of the game, rather than a rushed release to meet an arbitrary deadline. This means we’re now aiming at February for the first playable prototype of the game, with a view to launching on Kickstarter around April – May. If you haven’t already, it would mean a lot to us if you sign up to our Kickstarter notification list and we’ll let you know the moment we go live. We’ll only email you once from this email list – we all hate spam as much as you do! That being said, signing up to be notified in this way means we’ll have the momentum we’ll need to make a success out of Kickstarter, and ultimately, the game itself. So if you want to get your hands on the game you know what to do!
In terms of development updates, I’m working on having the dwarves carry around resources such as stone and logs. This will unlock the ability to haul items such as these to workshops for processing into other resources, forming the basics of the economy and production chain. Hopefully I’ll have more to share on this topic in the near future, including an example of how easy it will be to mod your own assets and resources into the game. Modding is a key “pillar” in the design of King under the Mountain and its important to get these basic systems correct before adding the polish and more complex systems that will make up the game proper.
Also, for a bit of a behind-the-scenes look at the design process, I’ve put together a short document describing how the initial setup and gameplay might play out that you can read here. Let us know in the comments if you’ve anything to add or any questions!
A lot to cover this month! First of all, here’s a little video showing some of the main progress in the last month with dwarves being assigned to mining jobs and removing rock walls, producing large stone resources in their place.
However the biggest news this month is that after last month’s update covering the procedurally coloured leaves in Autumn, we were featured in article on Rock Paper Shotgun! As a huge fan of RPS, this was personally incredibly exciting (one ticked off the bucket list). Even better than that, the coverage effectively doubled awareness of the game, so here’s hoping for more articles in the future 🙂